Another precursor to black MIDI is Circus Galop, a player piano composition written by Canadian virtuoso Marc-Andre Hamelin, featuring complex and impossible arrangement with up to 21 notes played simultaneously. Though the two are unrelated in origin, the concept of impossible piano existed long before black MIDI, manifesting itself within Conlon Nancarrow's work involving player pianos where he punched holes in piano cards, creating extremely complex musical compositions in the same impossible, unplayable spirit of black MIDI.
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